
Tatiana Oltean
• 2/2012 » Adela-Françoise Bihari – Bergson’s Comic. Textual Structures/Musical Structures - Review
• 1/2020 » Béla Bartόk Bluebeard’s Castle – a new Avatar of the Myth of Orpheus?
• 1/2014 » Considerations on the Concept of Musical Genre. Subjective Perception and Analytical Objectivity
• 1/2017 » The Ensemble Scene – a Vector of Musical Dramaturgy in Verdi`s Conception: ``Don Carlo``
• 25-1/2010 » The Myth of "Orpheus" in the French Baroque Cantata, from Charpentier to Rameau. Hypostases of the Dramatic
• 25-2/2010 » The Myth of Orpheus in the French Baroque Cantata, from Charpentier to Rameau. Hypostases of the Dramatic. Part II. Analytical Perspectives
• 2/2016 » Time as an Action Generating Factor in Giacomo Puccini`s Opera ``Turandot``
• 2/2012 » Adela-Françoise Bihari – Bergson’s Comic. Textual Structures/Musical Structures - Review
• 1/2020 » Béla Bartόk Bluebeard’s Castle – a new Avatar of the Myth of Orpheus?
• 1/2014 » Considerations on the Concept of Musical Genre. Subjective Perception and Analytical Objectivity
• 1/2017 » The Ensemble Scene – a Vector of Musical Dramaturgy in Verdi`s Conception: ``Don Carlo``
• 25-1/2010 » The Myth of "Orpheus" in the French Baroque Cantata, from Charpentier to Rameau. Hypostases of the Dramatic
• 25-2/2010 » The Myth of Orpheus in the French Baroque Cantata, from Charpentier to Rameau. Hypostases of the Dramatic. Part II. Analytical Perspectives
• 2/2016 » Time as an Action Generating Factor in Giacomo Puccini`s Opera ``Turandot``