
In memoriam ST
1 / 2011
http://
Editorial:
• Dieter Acker » Maestro Toduţă, as Remembered by a Disciple from Munich
• Hans PeterTürk » From Motivic Evolution to Continuous Variation in Sigismund Toduțǎ’s Works Considerations on the Opening Paragraphs in Sigismund Toduţă’s Sonatas No. 1 and 2 for Flute and Piano
• Dieter Acker » Maestro Toduţă, as Remembered by a Disciple from Munich
• Ştefan Angi » Rhetorical Aspects of the Musical Discourse in Sigismund Toduțǎ`s Vocal and Instrumental Works
• Hilda Iacob » The Eclogue in the Works of Sigismund Toduţă
• Mirela Mercean Ţârc » Principles of Sound Architecture in Sigismund Toduţă`s Symphonies Nos. 1, 2 and 3
• Oana Bălan » Toduţă`s Piano Music In Romanian Musicology
1 / 2011
http://
Editorial:
• Dieter Acker » Maestro Toduţă, as Remembered by a Disciple from Munich
• Hans PeterTürk » From Motivic Evolution to Continuous Variation in Sigismund Toduțǎ’s Works Considerations on the Opening Paragraphs in Sigismund Toduţă’s Sonatas No. 1 and 2 for Flute and Piano
• Dieter Acker » Maestro Toduţă, as Remembered by a Disciple from Munich
• Ştefan Angi » Rhetorical Aspects of the Musical Discourse in Sigismund Toduțǎ`s Vocal and Instrumental Works
• Hilda Iacob » The Eclogue in the Works of Sigismund Toduţă
• Mirela Mercean Ţârc » Principles of Sound Architecture in Sigismund Toduţă`s Symphonies Nos. 1, 2 and 3
• Oana Bălan » Toduţă`s Piano Music In Romanian Musicology