
Musicology Papers
1 / 2012
http://
Editorial:
• Sebastian Barbu-Bucur » Mihalache Moldovlahul and the Romanianization of Church Hymns
• Constantin Catrina » The Byzantine Music School of Şcheii Braşovului.Creation and interpretation
• Maria Alexandru » Some Thoughts on the so Called Great Hypostases of the Middlebyzantine Notation
• Maria Pischlöger » The Simple Motivic Formulas in the Heirmological Chants in the First Mode, Based on the Printed Bulgarian Heirmologion
• Violina Galaicu » Possible Objectivations of the Fundamental Ontological Dimensions in The Byzantine Liturgical Chant
• Nicolae Gheorghiţă » Between Byzantium and Venice. Western Music in Crete
• Melania-Elena Nagy » A Psaltic Music Manuscript in a Private Collection in Cluj-Napoca
• Elena Chircev » Archdeacon Sebastian Barbu-Bucur, Mihalache Moldovlahul. "Anastasimatar II" The series "Izvoare ale muzicii românești", vol. XII B, Editura Muzicală, Bucharest, 2011, 581 p.
• Redacţia » Kyrie Eleison for Mixed Choir in a Byzantine Manuscript
1 / 2012
http://
Editorial:
• Sebastian Barbu-Bucur » Mihalache Moldovlahul and the Romanianization of Church Hymns
• Constantin Catrina » The Byzantine Music School of Şcheii Braşovului.Creation and interpretation
• Maria Alexandru » Some Thoughts on the so Called Great Hypostases of the Middlebyzantine Notation
• Maria Pischlöger » The Simple Motivic Formulas in the Heirmological Chants in the First Mode, Based on the Printed Bulgarian Heirmologion
• Violina Galaicu » Possible Objectivations of the Fundamental Ontological Dimensions in The Byzantine Liturgical Chant
• Nicolae Gheorghiţă » Between Byzantium and Venice. Western Music in Crete
• Melania-Elena Nagy » A Psaltic Music Manuscript in a Private Collection in Cluj-Napoca
• Elena Chircev » Archdeacon Sebastian Barbu-Bucur, Mihalache Moldovlahul. "Anastasimatar II" The series "Izvoare ale muzicii românești", vol. XII B, Editura Muzicală, Bucharest, 2011, 581 p.
• Redacţia » Kyrie Eleison for Mixed Choir in a Byzantine Manuscript