
Vol. 28 nr.1
1 / 2013
http://
Editorial:
• Mihaela Cesa-Goje » The common denominator – a mediator of the relationship between different tempo markings
• Elena Chircev » Protopsaltes and musical manuscripts from the Cheia-Teleajen Monastery (Review)
• Vasile Vasile » Marţian Negrea’s teaching activity at the Music Conservatory of Cluj
• Constantin Tufan-Stan » Conductor George Pavel and the presence of the musicians from Cluj in Banat after the Vienna Diktat
• Constantin Secară » Romanian Christmas Carols from Vâlcele and Araci, Covasna county – tradition, metamorphoses and functional transformations
• Ioannis Liakos - Sevi Mazera » The Teaching Methods of Ecclesiastical Music – Psaltic Art (10th-19th centuries)
• Adela-Françoise Bîrlogeanu » Franz Liszt – Paraphrase for piano on Miserere from Verdi’s Il Trovatore
• Sebastian Barbu-Bucur » An unpublished Anastasimatarion written by Protosingel Ianuarie
1 / 2013
http://
Editorial:
• Mihaela Cesa-Goje » The common denominator – a mediator of the relationship between different tempo markings
• Elena Chircev » Protopsaltes and musical manuscripts from the Cheia-Teleajen Monastery (Review)
• Vasile Vasile » Marţian Negrea’s teaching activity at the Music Conservatory of Cluj
• Constantin Tufan-Stan » Conductor George Pavel and the presence of the musicians from Cluj in Banat after the Vienna Diktat
• Constantin Secară » Romanian Christmas Carols from Vâlcele and Araci, Covasna county – tradition, metamorphoses and functional transformations
• Ioannis Liakos - Sevi Mazera » The Teaching Methods of Ecclesiastical Music – Psaltic Art (10th-19th centuries)
• Adela-Françoise Bîrlogeanu » Franz Liszt – Paraphrase for piano on Miserere from Verdi’s Il Trovatore
• Sebastian Barbu-Bucur » An unpublished Anastasimatarion written by Protosingel Ianuarie