
Vol. 29 nr.1
1 / 2014
http://
Editorial:
• Dan Dediu » Veils of Transcendence in the Musical Discourse
• Violeta Dinescu » The Cluster Effect – Connotations of Performance and Musical Notation
• Oleg Garaz » Considerations about the two Beginnings of the European Musical Culture. The Idea of “Europeanity” between Antiquity and the Middle Ages
• Corneliu Dan Georgescu » The Musical Syntactic Categories and the Idea of “Primordial Substances“. The Archetype as a Linking Factor Between Different Levels of Artistic Communication
• Tatiana Oltean » Considerations on the Concept of Musical Genre. Subjective Perception and Analytical Objectivity
• Anna Maria Rentzeperi-Tsonou » 1912-2012, Music life and musical Education in the 100 years of liberated Thessaloniki
• Romeo Ghircoiaşiu » Musical Theory and Practice in South-Eastern Europe and Mesopotamia, in the Light of the Ancient Culture and Folklore. A Comparative Study
• Cristina Berengea Șuteu » Is there a Theory of Musical Criticism?
1 / 2014
http://
Editorial:
• Dan Dediu » Veils of Transcendence in the Musical Discourse
• Violeta Dinescu » The Cluster Effect – Connotations of Performance and Musical Notation
• Oleg Garaz » Considerations about the two Beginnings of the European Musical Culture. The Idea of “Europeanity” between Antiquity and the Middle Ages
• Corneliu Dan Georgescu » The Musical Syntactic Categories and the Idea of “Primordial Substances“. The Archetype as a Linking Factor Between Different Levels of Artistic Communication
• Tatiana Oltean » Considerations on the Concept of Musical Genre. Subjective Perception and Analytical Objectivity
• Anna Maria Rentzeperi-Tsonou » 1912-2012, Music life and musical Education in the 100 years of liberated Thessaloniki
• Romeo Ghircoiaşiu » Musical Theory and Practice in South-Eastern Europe and Mesopotamia, in the Light of the Ancient Culture and Folklore. A Comparative Study
• Cristina Berengea Șuteu » Is there a Theory of Musical Criticism?