
Vol. 31 nr. 2
2 / 2016
http://
Editorial:
• Silvano Presciuttini » Toduță in Rome – Testimonials
• Alexandru Boboc » «Vordergrund» and «Hintergrund» – A Fundamental Contrast in the Corpus of the Musical Work
• Tatiana Oltean » Time as an Action Generating Factor in Giacomo Puccini`s Opera ``Turandot``
• Cristina Eleonora Pascu » Ninuca Oșanu Pop - A Life Dedicated to Music
• Gabriel Banciu » Cristina Șuteu – ``Musical Criticism. Periegesis, Exegesis, Hermeneutics`` Review
• Tiberiu Herdliscka » The Piano Etude. Historical Perspective, Evolution and Development of the Etude up to the Second Half of the Twentieth Century
• Tiberiu Herdliscka » The Piano Etude. Historical Perspective, Evolution and Development of the Etude up to the Second Half of the Twentieth Century
2 / 2016
http://
Editorial:
• Silvano Presciuttini » Toduță in Rome – Testimonials
• Alexandru Boboc » «Vordergrund» and «Hintergrund» – A Fundamental Contrast in the Corpus of the Musical Work
• Tatiana Oltean » Time as an Action Generating Factor in Giacomo Puccini`s Opera ``Turandot``
• Cristina Eleonora Pascu » Ninuca Oșanu Pop - A Life Dedicated to Music
• Gabriel Banciu » Cristina Șuteu – ``Musical Criticism. Periegesis, Exegesis, Hermeneutics`` Review
• Tiberiu Herdliscka » The Piano Etude. Historical Perspective, Evolution and Development of the Etude up to the Second Half of the Twentieth Century
• Tiberiu Herdliscka » The Piano Etude. Historical Perspective, Evolution and Development of the Etude up to the Second Half of the Twentieth Century