
Vol. 32 n. 1
1 / 2017
http://
Editorial:
• Anamaria Calin » Relevant aspects in the training of composer Gustav Mahler
• Natalia Chiciuc » Gheorghe Neaga`s suites between tradition and modernity
• Oleg Garaz » The Science of Musicology: Definition, Identity, Typologies and Evolutions
• Tatiana Oltean » The Ensemble Scene – a Vector of Musical Dramaturgy in Verdi`s Conception: ``Don Carlo``
• Cristina Berengea Șuteu » The Critical act viewed from a Mathematical Perspective. Objectivity versus Subjectivity in the ``Muzica`` Journal (1916-2016)
• Francisc László » Ars musicologica
• Tiberiu Herdliscka » Synthesis and Experiment. Tiberiu Herdlicska – Piano Studies
• Iulia Anda Mogoșan » Between Nonsense and Silence. Hölderlin in the Works of György Ligeti and György Kurtág
1 / 2017
http://
Editorial:
• Anamaria Calin » Relevant aspects in the training of composer Gustav Mahler
• Natalia Chiciuc » Gheorghe Neaga`s suites between tradition and modernity
• Oleg Garaz » The Science of Musicology: Definition, Identity, Typologies and Evolutions
• Tatiana Oltean » The Ensemble Scene – a Vector of Musical Dramaturgy in Verdi`s Conception: ``Don Carlo``
• Cristina Berengea Șuteu » The Critical act viewed from a Mathematical Perspective. Objectivity versus Subjectivity in the ``Muzica`` Journal (1916-2016)
• Francisc László » Ars musicologica
• Tiberiu Herdliscka » Synthesis and Experiment. Tiberiu Herdlicska – Piano Studies
• Iulia Anda Mogoșan » Between Nonsense and Silence. Hölderlin in the Works of György Ligeti and György Kurtág